Architecture in Greater Iran has a continuous history from at least 5000BCE to the present, with characteristic examples distributed over a vast area from Syria to North India and the borders of China, from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses, and garden pavilions to “some of the most majestic structures the world has ever seen.

Overall, the traditional architecture of the Iranian lands throughout the ages can be categorized into the seven following classes or styles: Pre-Islamic, The Pre-Parsi style, The Parsi style, The Parthian style, Islamic, The Khorasani style, The Razi style, The Azari style, The Isfahani style

Iranian architecture displays great variety, both structural and aesthetic, developing gradually and coherently out of prior traditions and experience. Without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved an individuality distinct from that of other Muslim countries. Its paramount virtues are several: a marked feeling for form and scale; structural inventiveness, especially in vault and dome construction; a genius for decoration with a freedom and success not rivaled in any other architecture.

Traditionally, the guiding, formative, motif of Iranian architecture has been its cosmic symbolism by which man is brought into communication and participation with the powers of heaven. This theme, shared by virtually all Asia and persisting even into modern times, not only has given unity and continuity to the architecture of Persia, but has been a primary source of its emotional characters as well.

Traditional Iranian architecture has maintained a continuity that, although frequently shunned by western culture or temporarily diverted by political internal conflicts or foreign intrusion, nonetheless has achieved a style that could hardly be mistaken for any other.